Commissioning work from any creative professional is a fine balance between communicating your needs, and leaving room for the designer’s vision. I’ve just commissioned a logo, and couldn’t be happier with Sonja Cresswell‘s hand-drawn circlet of leaves, simultaneously delicate and strong. The font she chose to complement it is Kabel, an early sans serif German font from the 1920s. I love that it draws on the Roman tradition of carving letters with just a few geometic forms. There’s a touch of Art Deco in there, too, and the name references the first trans-Atlantic cable, newly laid when the font was first in use. The combination of clean, geometrical lines, a nod to history, and fresh green leaves seems very appropriate.
This article first appeared in the August 2014 edition of Common Knowledge, the newsletter of the Friends of Streatham Common. The illustration, taken from a contemporary postcard, shows visitors admiring the newly-opened White Garden.
‘Whoever had the inspiration to plan part of the ground solely for white flowers must have been blessed with the simplicity of genius. The Garden is unique, and offers a charming prospect to the eye.’
Writing in the Westminster Gazette just after the newly acquired and redesigned Rookery Garden opened to the public in July 1913, this commentator was impressed by the White Garden’s innovative colour palette. White gardens were becoming fashionable among the elite of the day, but the Rookery’s popular White Garden remained unique among London’s public parks until well into the twentieth century.
William Robinson, an Irish gardener who came to England in 1862, was a key influence on gardens like the Rookery. Robinson advocated ‘wild gardening’, rejecting the carpet bedding and overly formal gardening styles that had emerged from the new wealth and technological advances of the Industrial Revolution in favour of the dense planting of hardy perennials in naturalistic drifts. ‘Wild gardening’ , combined with the Arts and Craft movement’s regard for rural traditions, led to the trend for mixed herbaceous borders using hardy perennials.
Gertrude Jekyll, a friend of Robinson, was another hugely influential garden designer. A trained artist, she did much to popularize colour-themed borders. The White Garden created at Hidcote by Lawrence Johnston in the early 1900s, one of the first of many English white gardens, was influenced by both Jekyll and Thomas Mawson, author of The Art and Craft of Garden Making.
The most famous popularizer of the idea of white gardens, Vita Sackville-West, did not start to plant her ‘grey, green and white garden’ at Sissinghurst until 1949. Sackville-West gardened in the tradition of Robinson and Jekyll, and was influenced by Hidcote. Since her mother briefly owned a house in Streatham, she might even have gathered inspiration from the Rookery’s White Garden!
Unearthing the past
Thanks to the Westminster Gazette’s enthusiastic reporter, we know that the first White Garden planting scheme included roses, foxgloves, hollyhocks, phlox, pansies, violas, and sweet peas – all fashionable plants of the time. There is no complete historical record of planting in the garden, but sources show that it has changed over the years, reflecting fashion and fluctuating park budgets. At times the planting has been quite daring: in 1922 the Streatham News reported on Brugmansia plants growing in the White Garden. These tender exotics spent their winters under glass in Battersea. Another snapshot comes from a Gardener’s Chronicle article of 1927 which describes lilies, foxgloves, phloxes, campanulas, grasses, box, violas and an old apple tree – probably a remnant of the orchard that once stocked the fruitbowls of The Rookery itself.
Planting for the future
White gardens are enjoying a resurgence, and many of the plants used in today’s white gardens are modern cultivars of those chosen by the Rookery’s Edwardian gardeners. Some of the plants and ideas under consideration for the White Garden’s redesign might have struck them as novel, but – given the rapid pace of change in their own time – they would no doubt have taken it all in their stride.
Reading and roaming around outside were the activities that defined my early childhood in Papua New Guinea. I loved the gardens we made growing up, and words were another passion: I devoured everything on my parents’ well-stocked shelves, regardless of suitability. My father was headmaster of the local high school, while my mother taught at the school, homeschooled me and my brother, ran the school library and artifact business, and still found time to write local history. History, she maintained, is really just gossip – and therefore endlessly fascinating.
I share this fascination, so perhaps it’s inevitable that words and history are so important to me. History was well taught at the Quaker school I attended in York, and – after a degree from Cambridge and a masters from Stirling – I started my first job as editorial assistant on Longman’s history list. Stints commissioning history books at Macmillan, Thames & Hudson and Oxford University Press followed, and I continue to write, commission and edit for publishers and other clients.
Over the last few years I’ve also strengthened my garden design skills, and earlier this week I received my Diploma in Garden Design from Capel Manor College. I have designed and built a number of gardens while working and studying, and I love the balance of my two careers.
So three years of weekly pilgrimages from south London to Regent’s Park have paid off, and it’s time to launch my portfolio career in earnest!